A brief discussion on the artistic value in Berlioz s symphonies composing;
柏辽兹交响乐创作的艺术价值
Device of title symphony——on the introduction to Movement.1 of Berlioz s Symphonie Fantastique;
标题交响音乐的表现手法——柏辽兹《幻想交响曲》第一乐章引子部分分析
On the Role of Marguerite in Berlioz s La Damnation de Faust;
柏辽兹《浮士德的沉沦》中玛格丽特的角色创造
John Gumperz Contribution to Linguistics;
约翰·甘柏兹的学术思想
Elaboration BERLIOZ S Voice Divertimento 《LES NUITS D (?)T(?)》 S Style and Sing;
论柏辽兹声乐套曲《夏夜》的风格与演唱
Characteristic is Berlioz's frequent use of the orchestral crescendo.
柏辽兹连续地使用乐队渐强，这是很有特点的。
Berlioz compared him favorably to Beethoven and Gluck.
柏辽兹认为他并不亚于贝多芬和格鲁克。
On the Role of Marguerite in Berlioz s La Damnation de Faust;
柏辽兹《浮士德的沉沦》中玛格丽特的角色创造
Many consider Berlioz's compositions to Be innovative But eccentric.
许多人认为柏辽兹的作品富有创新力，但与习俗格格不入。
There is far more of Berlioz than of Shakespeare in the resulting work.
其结果是，作品中柏辽兹的成分远远超过了莎士比亚的成分。
but Berlioz insisted that it was to be called a dramatic symphony, not a cantata or opera.
但柏辽兹坚持它应当称为“戏剧交响曲”，而不应称为清唱剧或歌剧。
"Berlioz, the master orchestrator, is remembered for his orchestration. Chopin is remembered for his piano compositions."
配器大师柏辽兹因配器而闻名天下。肖邦的钢琴曲使他闻名。
The luck of having talent is not enough, one must also have a talent for luck.-Hector Berlioz
有幸具有才能是不够的，还必须有利用运气的才能。--柏辽兹
The third of the great programme-symphonies was Romeo and Juliet, first performed in 1839.
柏辽兹的第三部宏伟的标题交响曲是《罗密欧与朱丽叶》，于1839年首次演出。
It has been said that Berlioz played upon the orchestra as Paganini did upon the violin and Liszt did on the piano.
人们曾经说，柏辽兹使唤管弦乐队就像帕格尼尼使唤小提琴和李斯特使唤钢琴一样地得心应手。
In this autobiographical approach to his art Berlioz is a true Romantic.
柏辽兹对他的艺术采取了自传体的处理手法，在这点上他是个真正的浪漫主义者。
In this autobiographical approach to his art Berlios is a true Romantic.
柏辽兹对他的艺术采取了自传体的处理手法，在这点上，他是一个真正的浪漫主义者。
Berlioz was born in 1803, son of a country doctor, and with no musical background.
柏辽兹出生于1803年，父亲是一个乡村医生，自幼并未受到过音乐方面的熏陶。
"In the French milieu, innovations in romantic style and form were further developed by Berlioz, Chopin and Liszt."
在法国乐坛上，柏辽兹、肖邦和李斯特进一步推动了对浪漫派风格和曲式的改良。
Berlioz is a composer, conductor and music critic with distinctive character in the Romanticism Times.
柏辽兹是浪漫主义时期具有鲜明个性的作曲家、指挥家和音乐评论家。
Device of title symphony--on the introduction to Movement.1 of Berlioz s Symphonie Fantastique;
标题交响音乐的表现手法——柏辽兹《幻想交响曲》第一乐章引子部分分析
Poetics: Vehicle Reconstruction--From Plato to Wordsworth;
诗论:喻体的选择——从柏拉图到华兹华斯
